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Criticism, essays and history also became major lines of writing in the Odia language.
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Family chronicles in prose relating religious festivals and rituals are also characteristic of the period. But it is poetry that makes modern Odia literature a force to reckon with.
They brought in a modern outlook and spirit into Odia literature. All his novels are historical romances based on the historical events in Rajasthan, Maharashtra and Odisha. Bhanja's work inspired many imitators of which the most notable is Arakshita Das. His son Khagendranath Mallick born is also a writer. Sachi Kanta Rauta Ray is the great introducer of the ultra-modern style in modern Odia poetry.
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His contribution towards poetry, criticism, essays, story and novels is commendable. The first Odia printing typeset was cast in by Christian missionaries. Odia literature mirrors the industrious, peaceful and artistic image of the Odia people who have offered and gifted much to the Indian civilization in the field of art and literature.
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His contribution to Historical novels is beyond words. He was last felicitated by the Sahitya Academy in the year for his contributions to Odia literature. He translated the Mahabharata into Odia. The translation of the Srimad Bhagabata Gita by Jagannatha Dasa was particularly influential on the written form of the language. In fact, the language was initially standardised through a process of translating classical Sanskrit texts such as the Mahabharata, dating someone with borderline personality disorder poems for teachers Ramayana and Srimad Bhagabata Gita.
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Prose in the language has had a late development. The authors of this period mainly translated, adapted, or imitated Sanskrit literature. Sarala Dasa who lived in the fourteenth century is known as the Vyasa of Odisha. Odia has had a strong tradition of poetry, especially devotional poetry. The period begins with the writings of Shri Chaitanya Mahaprabhu whose Vaishnava influence brought in a new evolution in Odia literature.
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